Lynell George & Janna Ireland In Conversation Friday, April 9, 2021

Posted Posted in Events, Exhibitions, Foundation News, Ojai Institute

Lynell George & Janna Ireland in conversation
Friday, April 9, 2021, 5:00 pm PST
Zoom Webinar
Click to Register

Special thanks to Angel City Press.

Join us for a conversation between Lynell George and Janna Ireland, both of whom had book projects published by Angel City Press in the fall of 2020. George’s A Handful of Earth, a Handful of Sky, the World of Octavia E. Butler, explores Butler’s world, creating a sense of unmatched intimacy with the deeply private writer. Regarding Paul R. Williams: A Photographer’s View is a photographic exploration of the work of the first licensed Black architect west of the Mississippi River. Known as “Hollywood’s Architect”, Paul Revere Williams was a Los Angeles native who built a wildly successful career as an architect decades before the Civil Rights Movement.

On the occasion of the conversation between Janna Ireland and Lynell George on Friday, April 9, 2021, we are offering a special 20% discount if you purchase their combined three books. Free local delivery!

Follow the links below to purchase books individually:

Janna Ireland: Regarding Paul R. Williams, A Photographer’s View (2020)
Regular price: $50.00

Lynell George: A Handful of Earth, A Handful of Sky, The World of Octavia Butler (2020)
Regular price: $30.00

Lynell George: After/Image Los Angeles Outside the Frame
Regular price: $30.00

 

Intimate Perspective on Legacy: Frank Escher and Ravi GuneWardena, Saturday, January 30, 2021

Posted Posted in Events, Exhibitions, Foundation News, Ojai Institute

Intimate Perspective on Legacy
Frank Escher and Ravi GuneWardena, Escher GuneWardena Architecture
Saturday, January 30, 2021, 5:00 pm PST on Zoom

Please Click Here to Register 

This conversation will be structured around a visual presentation by Escher and GuneWardena featuring their architectural restoration and conservation efforts beginning with the family home of Paul R. Williams, as well as the architecture of A. Quincy Jones, and Gregory Ain. The conversation will explore the impact and legacy of Williams on Mid-Century architecture and social justice efforts in Los Angeles. Hosted by Janna Ireland and Frederick Janka, Executive Director of the Carolyn Glasoe Bailey Foundation, on the occasion of the Ojai Institute exhibition project Janna Ireland: Looking In, Looking Out.

Closed captioning will be available for this program.

The extraordinary range of projects of Escher GuneWardena Architecture – small, conceptually rigorous projects; ecologically and socially innovative urban design proposals; and work in the fields of contemporary art and architectural history – reflects the broad cultural interests of the firm’s principals, Frank Escher and Ravi GuneWardena. They frequently collaborate with internationally known contemporary artists, thinkers, consultants, and cultural institutions such as the MAK Center, The Eames Foundation, and The Getty Conservation Institute.

Escher GuneWardena address issues of sustainability, affordability, the relationship between form and construction, seeking to establish simple formal manifestations of the complexities of each project. New residential projects include the Jamie Residence, the Sola/Wright Residence, and the House with Five Corners. Work on historic structures includes restoration of John Lautner’s Chemosphere as well as of his personal residence, Phase 1 restoration work at the Eames House, restoration of Paul R. Williams’s personal residence, restoration of Gregory Ain’s Greene Residence, and an extensive restoration of A. Quincy Jones’s historic Pilot House.

Their work was recognized in the 2003 National Design Triennial, and in OPEN HOUSE: Intelligent Living by Design (2007, Vitra and Art Center, Pasadena).

Escher GuneWardena was a finalist in creating master plans for Linc.LA (2011), a Cleantech Manufacturing development in the Cleantech Corridor of Los Angeles. Currently, the firm is in the design phase for two master plan projects, the Woodland Nature Center, a Buddhist monastery campus and cultural center in the San Gabriel Mountains; and St. Michael’s Campus, a Franciscan monastery and agricultural community in Riverside, California.

The firm’s interest in contemporary art has led to various art related projects and collaborations with artists: Blum & Poe gallery in Los Angeles; numerous installations for Sharon Lockhart, Mike Kelley, Olafur Eliasson, and Stephen Prina. Major exhibitions designed by Escher GuneWardena are the 55th Carnegie International (CMOA, Pittsburgh), Mike Kelly: Eternity is a Long Time (Hanger Bicocca, Milano); Between Earth and Heaven: the Architecture of John Lautner (Hammer Museum; co-curated by Frank Escher and Nicholas Olsberg); “Little Review” Sharon Lockhart’s installation in the Polish Pavilion at the 2017 Venice Biennale; and The Jeweled Isle: Art from Sri Lanka at LACMA (2018-2019).

Frank Escher, trained at the Federal Institute of Technology (ETH, Zürich), is the editor of the monograph “John Lautner, Architect,” was the administrator for the John Lautner Archive (1995-2007), and serves on the boards of the John Lautner Foundation, the Julius Shulman Institute, and the Los Angeles Forum for Architecture and Urban Design. He is also an advisor to the Neutra Institute. Ravi GuneWardena, originally from Sri Lanka, studied architecture at California State Polytechnic University, Pomona and art history in Florence, Italy, and served on the Hollywood Public Art Advisory Panel for the CRA/LA. He is currently the director of the Los Angeles branch of the Sogetsu School of Ikebana. Escher and GuneWardena have been visiting professors at Cal Poly Pomona, University of Southern California (Escher), and Walsh Distinguished Visiting Professors at University of Oregon. They were recently visiting professors at the Federal Institute of Technology (EPFL, Lausanne) for the 2016-2017 academic year.

In June of 2017, Clocks and Clouds, a monograph of the firm’s work, was released by Birkhäuser in conjunction with their retrospective exhibition at the Art, Design, and Architecture Museum at the University of California, Santa Barbara, in summer 2017.

Janna Ireland: Looking In, Looking Out – January 8 – April 3, 2021

Posted Posted in Events, Exhibitions, Foundation News, Ojai Institute

Carolyn Glasoe Bailey Foundation is pleased to present Looking In, Looking Out, Janna Ireland’s Ojai Institute solo exhibition project, on view January 8 – April 3, 2021.

Looking In, Looking Out features new photographs created during the last year viewable through the front window and by appointment. The exterior windows feature large scale images of an Ojai home by Paul R. Williams, printed on translucent vinyl. These works expand upon her ongoing engagement with his architecture through her photography, and are presented here for the first time in color. Individual works inside the gallery space were made during the last year while the artist was at home with her family, and feature the artist’s children.

To make an appointment please contact Frederick Janka, Executive Director: fjanka@cgbfoundation.org

Janna Ireland was born in Philadelphia, but has chosen Los Angeles as her home. She holds an MFA from the UCLA Department of Art and a BFA from the Department of Photography and Imaging at NYU. Her work has been shown in solo exhibitions in Los Angeles, San Francisco, New Orleans, and Chicago, and in group exhibitions across the United States and internationally. She has been published in Aperture, The New Yorker, Harper’s, Art Papers, Vice, and The Los Angeles Times. Her first monograph, Regarding Paul R. Williams was published by Angel City Press this fall and is available for purchase online at the Ojai Institute Bookshop.

Special thanks to: Carolyn Glasoe Bailey Foundation Board, Ojai Institute Members, Rick Ridgeway, Summer Camp, John Connelly, Heidi Volpe, and Two Fish Digital.

Virtual event program:

Intimate Perspective on Legacy
Frank Escher and Ravi GuneWardena, Escher GuneWardena Architecture
Saturday, January 30, 2021, 5:00 pm PST

This conversation will be structured around a visual presentation by Escher and GuneWardena featuring their architectural restoration and conservation efforts beginning with the family home of Paul Revere Williams, as well as the architecture of A. Quincy Jones, and Gregory Ain. The conversation will explore the impact and legacy of Williams on Mid-Century architecture and social justice efforts in Los Angeles. Hosted by Janna Ireland and Frederick Janka, Executive Director of the Carolyn Glasoe Bailey Foundation, on the occasion of the Ojai Institute exhibition project Janna Ireland, Looking In, Looking Out.

Picturing Intimacy
Janna Ireland, Catherine Opie, Paul Mpagi Sepuya
Friday, March 26, 2021, 5:00 pm PST

A panel discussion with three Los Angeles based artists who explore bodies, intimacy, and domestic interiors in their respective practices.

Lynell George & Janna Ireland in conversation
Friday, April 9, 2021, 5:00 pm PST
Zoom Webinar
Click to Register

Image: Janna Ireland, Ojai House, Number 4, 2020

Cave Painting, Painted Cave at The Gallery at Hotel Indigo Santa Barbara

Posted Posted in Exhibitions, Foundation News

Carolyn Glasoe Bailey Foundation is pleased to share works from the exhibition Cave Painting/Painted Cave currently on view online and at The Gallery at Hotel Indigo Santa Barbara. The exhibition includes works by Alison Andersson, Porfirio Gutiérrez, Cole M James, Linda Karshan, Deborah Kerner, Muna Malik, Yassi Mazandi, P.Lyn, Tom Pazderka, Cole Sternberg, and Richard Waxberg. Additional works are on loan from the Carolyn Glasoe Bailey Foundation Collection by Bob Branaman, and Sharon Louden

Artists have looked to the enigmatic world of cave paintings for centuries, and perhaps even more so during times of fear and doubt. This exhibition explores the inherently human need to make marks, share knowledge and community, and look to the past for answers about our current realities. We are working with the assumption that Modernism owes a huge debt to non-western and indigenous cultures and the works in this exhibition celebrate mark making and gesture through a raw yet highly sophisticated use of material and form. In no way does this attempt to depict, replicate, or pastiche the past, but imagines an aesthetic exploration that draws threads of thought and inspiration through personal vocabularies of marks and signs. This is an attempt to underline art making as multi-generational knowledge of land, flora, fauna, and cosmology that unites us as humans around the world.

In deciding to produce this exhibition the desire was also to draw attention to our own regional connection to the vast global network of cave painting. Alaxuluxen, the Chumash name for the Chumash Painted Cave State Historic Park is situated on the edge of the traditional Barbareño Chumash territory, which ranged from the Pacific coast to the foothills and southern slopes of the Santa Ynez Mountains. With a population of over 15,000 before European contact, the Barbareño Chumash were one of the largest and most influential tribes in California. Today’s modern city of Santa Barbara, at the base of the Santa Ynez Mountains, was the capital city of the Barbareño, then called Syukhtun. A 3D digital presentation of the site is now available online thanks to CyArk in partnership with the Santa Ynez Valley Union High School. (www.cyark.org/projects/chumash-painted-cave). 

We acknowledge that we are on unceded ancestral lands of the Coastal Band of the Chumash people. In honoring the past, present, and future generations of Chumash people who have stewarded this land for thousands of years, we also acknowledge the ongoing legacies of settler colonialism.

The Gallery at Hotel Indigo Santa Barbara is a hybrid model of public-private partnership between the Carolyn Glasoe Bailey Foundation and the Hotel Indigo Santa Barbara. Previously the site of a five year partnership with the Museum of Contemporary Art Santa Barbara as a satellite exhibition space, this current partnership builds on this artistic legacy while raising critically needed funds for operations for the foundation and direct artist support. Proceeds from the sale of select works are shared between the artists and the foundation. Special thanks to the artists, the Carolyn Glasoe Bailey Foundation Board, the team at Hotel Indigo Santa Barbara, Laurie & Marc Recordon, Grazka Taylor, John Connelly, and TwoFish Digital. 

Works are on view online, as well as in person to hotel guests and by appointment. To schedule an appointment please email fjanka@cgbfoundation.org, appointments are highly limited at this current time and require following covid safety protocol.

Image: Deborah Kerner, Motif for a Nighttime Journey, 2020

Year One: Ojai Institute Family Art Experience Kit – free download

Posted Posted in Arts Education at CGBF, Exhibitions, Foundation News, Ojai Institute

Introducing the Ojai Institute Family Art Experience Kit!

We are pleased to share this new effort to continue to provide free art experiences during these unprecedented times. Learn things, get free stuff, dream big.

Visit the exhibition,
interpret the constitution,
be a mail activist,
go on a poster scavenger hunt,
and for extra credit, draw a map…

Each individual or family receives free merch each time they complete a project! Free buttons, stickers, posters, yard signs and t-shirts!

Please click here to download PDF.

Janna Ireland in Conversation: Saturday, October 24, 2020

Posted Posted in Events, Exhibitions, Foundation News, Ojai Institute

You are invited to join us for a conversation with Los Angeles based photographer Janna Ireland this Saturday, October 24, at 5:00 PM PST / 8:00 PM EST.

Please click here to RSVP for this Zoom event

Janna Ireland was born in Philadelphia, but has chosen Los Angeles as her home. She holds an MFA from the UCLA Department of Art and a BFA from the Department of Photography and Imaging at NYU. Her work has been shown in solo exhibitions in Los Angeles, San Francisco, New Orleans, and Chicago, and in group exhibitions across the United States and internationally. She has been published in ApertureThe New YorkerHarper’sArt PapersVice, and The Los Angeles Times. Her first monograph, Regarding Paul R. Williams, was published by Angel City Press in 2020.

The Ojai Institute will present a solo exhibition project with Janna Ireland opening January 8, 2021, and on view through April 3, 2021. 

Janna Ireland’s first monograph, Regarding Paul R. Williams, is now available for purchase from The Ojai Institute Bookstore. Click here to learn more

Year One By Cole Sternberg: October 16 – December 31, 2020

Posted Posted in Exhibitions, Foundation News, Ojai Institute

The Ojai Institute will present Year One starting October 16, 2020, an exhibition project by artist Cole Sternberg that will feature an installation on the exterior of our building and within the front window gallery, the launch of our new digital Family Art Experience Kits with a digital event program, and a site specific outdoor installation throughout the Ojai Valley using yard signs and poster interventions.

The Ojai Institute is the official education partner for The Free Republic of California, and the platform will offer first hand actionable engagement with the ideas and history presented by The Free Republic of California. Learn more by visiting www.TheFreeRepublicofCalifornia.com

We invite you to support Year One by making a purchase or by making a donation in any amount.

Muna Malik in Conversation: Friday, August 7, 2020

Posted Posted in Events, Exhibitions, Foundation News, Ojai Institute

You are invited to join us for a live recording for the Ojai Institute Podcast. This virtual event will feature Los Angeles based artist Muna Malik in conversation with Frederick Janka, Executive Director, this Friday, August 7, at 5:00 pm PST / 8:00 pm EST.

Click to register!
Please note this will be a ZOOM meeting, not a typical webinar, and will be closed captioned.

Muna Malik is a multidisciplinary artist based in Los Angeles, California. Malik’s art practice is grounded in a pursuit to create cultural awareness and understanding. Her current work focuses on capturing poetic imagery and narratives of women of color and refugees. Malik lived in Minneapolis and started her art career at MCAD and the Northern Spark art festival. Her work has also been exhibited at Artworks Chicago and The University of Minnesota—Humphrey School of Public Affairs. She was the billboard artist for North Carolina for the “For Freedoms 50 State Initiative.” She recently completed exhibitions at the Band of Vices Gallery LA, Annenberg Space for Photography LA with Photoville, the International Center for Photography with “For Freedoms”, Soomaal House of Art in Minneapolis, Minnesota, and MOCA Geffen in Los Angeles, California. Her latest collage series was featured on vogue.com and i-D Magazine. Her ongoing series Blessing of the Boats, large scale and site responsive sculptures of origami shaped boats, will be unveiled this month in Battery Park, New York City, as part of LMCC River to River Festival, River To River 2020: Four Voices, and will then make its way to Governor’s Island after that. A forthcoming installation of Blessing of the Boats will take place with the Atkinson Gallery at Santa Barbara City College this fall. 

Introducing Ojai Institute Online! Join us!

Posted Posted in Exhibitions, Foundation News, Ojai Institute

We have taken some steps to enhance our online experience in the hopes of creating more visibility for the artists we champion while still raising resources to keep our artists and our organization viable and thriving during this incredibly forceful reset. We hope you’ll join us in this experiment, and that you’ll please share your thoughts on how we can enhance your experience.

With this we give you Ojai Institute Online – an opportunity to extend our current exhibition project Cole M James: 3 Movements. We encourage you to click through and see images of the exhibition, details of individual works, and watch short videos of Cole speaking about her work. We will also be uploading soon our recent conversation for the Ojai Institute Podcast. Individual works are available for purchase (with free shipping!) and there are also plenty of links to take you to Cole’s artist website, instagram, and our main site for additional ways to support artists and the work we do. Make a donation! Become a member of the Ojai Institute! 

Over the next few weeks, with some frequency, we will begin to introduce additional artists under Spotlight. Artists we have worked with and ones that we’re interested in and excited about supporting. Details and announcements will also flow through our social platforms, please follow us on Instagram and Facebook if not already doing so.

Cole M James: 3 Movements, Student Workshop: February 29, 2020

Posted Posted in Arts Education at CGBF, Events, Exhibitions, Foundation News, Ojai Institute

Ojai Institute Presents Books That Breathe: Non Linear Storytelling

Free Student Workshop with Cole M James, Artist in Residence

Location: Carolyn Glasoe Bailey Foundation, 248 South Montgomery Street, Ojai

  • Saturday, February 29, 2020, 11:00 am – 1:00 pm

 

Students of all ages are invited to attend a free workshop with Cole M James, Ojai Institute Artist in Residence. Students will have the opportunity to tour the art exhibition Cole M James: 3 Movements, meet the artist, and participate in a book making workshop. Lunch and all materials will be provided.

Our memory has the amazing ability to collapse and expand time. Books That Breathe is a design based workshop. We write or draw memories or information on sheets of paper that are folded and combined into collapsible and expandable books.

The work of Cole M James is that of a negotiator, navigating the African Diaspora, circling the expanse of queerness and fumbling through womanhood. James’ interdisciplinary work explores the intersections between digital production and the analog collections of lived experiences. James was born in Chicago and raised in Moreno Valley, California. She received a Bachelor of Arts from Cal State San Bernardino and Masters in Fine Arts from Claremont Graduate University. James currently lives and works in Los Angeles, California.

With 3 Movements, the artist is inviting the viewer on a personal diaspora journey, with moments of reflection, and a closing event that offers the viewer resources to pursue their own journey. The inherent generosity of this project explores being comfortable or mindfully uncomfortable in the unknowing of one’s cultural heritage. 3 Movements has been informed by the artist’s recent time spent this past summer in Ghana, and an ongoing exploration of cross cultural ethnomedicinal knowledge especially as to how it relates to the female body.

To register please contact:

Frederick Janka, Executive Director, fjanka@cgbfoundation.org or 646.334.1006